Beschrijving
Hardstyle Masterclass by Warface
A 5 hour production masterclass by one of the greatest legends of Raw Hardstyle in the World: Warface! Learn how elevate your Raw Hardstyle tracks to the highest level by this awesome producer.
What? Warface shows how he creates his tracks in his digital audio workstation. Pay attention when he teaches you his tips, tricks and secrets about creating the perfect kicks and melodies.
Where? We filmed this masterclass in Warface’s own studio.
Rewatchable? Yes! Every Masterclass will be available afterwards in your account.
Warface
Divine Power
Built around the vocal from splice
155 bpm
Solo vocal combined with the wide vocal
JJP Vocals
The vocals need to be in the front and on top
CLA-2A for compression, slam it
OTT more sharpness
For Duo’s, get on common ground on what you both like.
Use feedback from the dancefloor
Chords with the basslayer underneath it
Kinetic Metal met JJP Strings and Keys
Action Strikes, create your own patterns, use velocity
JJP Drums on the cinematic drums
Low cut, around 66hz autopan
Keep melodies simple and catchy
If you can sing it along easily, it’s good!
Same goes for screeches! People like to sing those nowadays
Lead Groups
Toplead group, distorted higher sounds
Midlead group, chords
Lowlead group, bassnotes, low mids
Bounced layers save a lot of CPU
‘Thin’, filtered layers give a lot of room to other sounds
Saw chords, bright sounds, 4 layer
Basic Sine for the subbass
Don’t antfuck
Vocal chops with a sidechained reverb & LFO tool
Kicks are made in seperate projects, and imported fully mastered in projects
Kicksrolls keep your arrangement interesting
Panning build ups before the drop
Keep our leads in phase, out of phase sounds can sound muddy
Monomaker knob in brainworx control_v2 around 180hz
Create movements with a high peak low pass filter
Reversed reverb note
Choose your projectnames for kicks wisely (bpm, key, style)
Contents
Kicks
Groups
Master
Tail
Punch
Low End
909 source
For really low kicks, boosting 100hz-500hz can work
Distortion in EKS9
EQ Fabfilter Q3
Trash2 Amp drainer en Buzzsaw
EQ Fabfilter Q3
Metering
Filterbank 3 Tubeamp LP Moog6 Routing Filter1+2 BP Moog
Double the EKS9 change the decay a little on one side to make it wide
Duplicate the tail again for a mono layer
Filterbank 3 tube amp op de kick group, LP30 BP Moog
Layer an EDM kick
Slam the transients with a izotope limiter, IRC IV Modern
Screeches
Serum OCS A Acid, 2 voices
noise enabled, fm noise on osc a, create grittyness
Distortion
Ozone Exciter on dual diode
Movement by modulating the pitch course
Superfast LFO2 bpm off 50 hz on the amp
Osc B 8 unison
NI Pro-53 Mega Dance
Analog voices 32
Cutting samples
Leads
Chords
Used Plug-ins
Ozone Exciter
Serum
Splice
JJP Vocals
OTT
CLA-2A
Tremolo
Kinetic Metal
Gate
Action Strikes
Fabfilter Pro-Q3
Spire
VPS Avenger
Synthmaster 2
Sylenth 1
Nexus 2
Lexicon Reverb
LFO-Tool
Brainworx bx_control V2
Filterbank
Trash2
EKS9 SynapseVoxengo AnSpec
Microtonic
NI Pro-53
Redominator
Turnado Sugar Bytes